Olie Bassweight – The Ghost In The Machine LP [BASWGTCD002]

olie bass art

While I strongly believe the benefits far outweigh the detriments, one thing that always seems to happen to me in the contemporary age of music is that there is just SO much output at any given time, that many gems are likely to fall under the radar, to be discovered later.  I could just as easily consider it a good thing because there’s definitely a unique feeling experienced when you come across a piece of music fitting into this category, as opposed to following/anticipating a release months prior up to it’s actual drop-date.  This is precisely what happened to me with regards to Olie Bassweight’s ‘Ghost In The Machine’ album that dropped towards the end of December of last year.

While Olie’s role within the dubstep movement has been of an undeniably prominent nature – especially in New Zealand – this marks his first full-length album to date.  Featuring 15 tracks, two of which being shorter, more cinematic intro-type pieces,  the album strongly established the artist’s versatility in both stylistic approach and execution of sound engineering.

Below you find the tracklist and my three favorite beats off the album:

Tracklist –

1. Intro (The Ghost In The Machine)
2. Float VIP
3. Duality
4. Odyssey
5. Truth – Spook (Olie Bassweight Remix)
6. Interlude (Tides)
7. Tides Have Turned ft. Timmy P MC
8. Holon
9. Why are you here
10. Broken
11. The Message ft. Dubfonik & DMG MC
12. Tangled Blue Eyes Feat, Dubtek
13. Heavyweight ft. Triage and MC Kryptik
14. Condemned ft. Perverse and TZR
15. Survival

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You can purchase the album from the links below:

BEATPORT || JUNO DOWNLOAD || CHEMICAL

Vinyl Sampler:

CHEMICAL RECORDS

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Make sure to keep up with future projects through Olie’s social media outlets, too!

FACEBOOK || SOUNDCLOUD || TWITTER

I’ll you guys next time.  Big up for reading.  If you have any artists you’d like to see get some from BWS please don’t hesitate to shoot me an email at bassweightsociety@gmail.com with links to music, bio, etc.

One love.

– Kinman

The Audiovisual Spectrum: Earth616, Slime Recordings, & Diffrent Music

spectrum

What’s good again crew!

Begrim here, finally found some time to enter another post on the ever-so-massive Bassweight Society.

In this installment, we’ll be looking at the (audio) visual spectrum of music and it’s varied facets.  If you are anything like me, you most likely have a wide range of music genres in your library that you constantly shuffle through.  Spanning from the recent to the old, electronic and non-electronic, this music accumulation stands as our personal ‘continuum’ so-to-say, a spectrum we use depending on our moods, feelings and listening needs.  Especially with the growth of electronic music, there can be a tendncy to ascribe a single, over-specific label to track style’s (post-dub-trap-deep…), much like what happens with the naming of colors (Robin’s Egg Sea Razzle).  This often leads to convoluted branding that can inadvertently cause bias in listeners and pigeonhole producers to  a specific style.  However, much like a graph of the visual spectrum, music is all connected by a single factor with varying amounts of energy, rhythms, and other ingredients combined.  With bass as the connecting factor of our “audiovisual” spectrum, we’ll be exploring three labels that all share this common center yet present their music in varying forms.  Beginning with some higher-energy “red/yellow” grime from Earth616, we’ll move into Slime Recordings’ mellower “blue/green” dubstep/garage/deep house, and end on something…Diffrnt… in the “purple/pink” wavelengths.

Hope you enjoy the rainbow.

EARTH616

Earth616

Starting off is Earth616, a grime label run by the notable Logan Sama.  With no “official” webpage, Soundcloud, or Facebook, the mysterious monicker puts out primarily vinyl presses with a few digital releases scattered here and there.  Featuring released by grim legends such as Maniac, DJ Q, Faze, Miyake and Wiley, Earth616 brings some of the best grime instrumentals there are to offer.

Preditah – Gears of Grime 12″

Already receiving it’s own separate digital release in December, Earth616 recently distributed wax-pressings of this beaut.  Preditah abosultely kills it on this EP, showing the range of sound grime still has to offer.  Starting off with classic synth-heavy tracks ‘Circles VIP’, ‘Nosy Parker VIP’, Preditah then rolls out his take on trap, ‘Evil Twin’.  He follows with two super bass-heavy hitters, ‘Gully (instrumental)’ and ‘Rubicon’.  This cycle repeats itself with ‘Skank (Dub)’ and ‘Sword’, and Preditah finishes up with what he calls a “dark garage” track, ‘The Beat Skipped’.  Fusing classic slapping drumwork with deep, pulsating lows, Preditah expands upon the conventional grime sound and presents a multi-genre approach to a music style he knows and loves.  Definitely keep an eye out for his future releases, as well as the other artists on Earth616.

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Preditah:

FACEBOOK || SOUNDCLOUD

Earth616:

WEBSITE (SORT OF)

SLIME

Slime Recordings

Moving into the mid-spectrum sounds, Slime Recordings puts out a wide array of different styles of 12X-14Xbpm music. Working on getting their 56th release under their belt, Slime has featured EP’s by artists such as Submerse, Resketch, Mr Beeb, Eyelove and a forthcoming by Aleks Zen.

BSN Posse – Love History EP

After their debut on Slime Recordings, “Songs from the Sea EP”, BSN Posse recently released “Love History EP” which features their original track and six remixes.  Soothing vocals glide over melodic synths, giving this song a relaxing feel that still has driving energy. Each remix adds a new element to Love History, morphing it into a shuffling garage track, a low-end bass banger, a jumpy trap rhythm, and a classic deep house anthem. While any of these songs could be featured in their own single, Slime’s release of this EP helps illuminate the range of possibilities this one song has to offer. More importantly, it demonstrates that a “bass centered core” will hold prevalent no matter what direction a producers decides to take. Take a moment out of your day to have some Slime time.

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BONUS: V/A – Basswave 2

Slime’s 2012 compilation album does not disappoint, covering so many areas of music it’s unreal.

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FACEBOOK || SOUNDCLOUD || WEBSITE

DIFFRENT

Diffrent Music

Recognized by their pink Giraffe logo, Diffrent Music describes themselves as “focusing on pushing the whole movement of stripped back head-nodding drum tracks and big deep monstrous bass.” Label co-founders Hunchbak and Dexta stated that, We believe that there’s a lot of soul-less D&B music out there due to labels having to put out music that ‘HAS’ to sell. Ultimately we’re about making music fun, trying new things & putting out music that we truly love!” This point of view comes across clearly in their releases, which range from amazing low-roller drum & bass tracks to genre-bridging 170-ish tracks they categorize as “giraffestep”.  With productions by artists such as Fredric Robinson, Arkaik and Dan Marashall as well as future releases by Fearful, Fable & Beezy, and Shaded, Diffrent is definitely a label to keep an eye on in this coming year.

Fathom Audio – Promises/Ridges

Comprised of two DJ’s, Billion and Fybe, and two MC’s, Sense and Codebreaker, Fathom Audio’s single shows both the darker and lighter sides of Diffrent. “Promises” starts out with fluttering trebles and stripped-back percussion, but quickly adds a resonant, forceful bassline that drives the rest of this lurking track. Contrastingly, “Ridges” starts out with a pulling, ethereal synth and muffled female vocals and quickly transitions into a full-fledged inspiration, featuring melodic harp sweeps and percussion reminiscent of early Rockwell. Both songs are prime example of the possibilities that exist in the 170bpm realm and will have you moving along, whether it be nodding to the broody lows or swaying to the ethereal highs. Something Diffrent, for sure.

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BONUS: Cursa & Futurist – Clart [Forthcoming]

Featured on Diffrent’s monthly Giraffecast, this upcoming release from Cursa & Futurist is absolutely mind-blowing. Deep, resounding bass kicks and eerie clicks haunt this track, giving it a driving yet freeform sound. Upon completion of the B-side, this release from Diffrent will be shaking subs around the world.

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FACEBOOK || SOUNDCLOUD || WEBSITE

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Well, thanks again for letting me show you the spectrum of sound out there.  Stay bass centered my friends.

-Begrim

Enei: Machines LP [Critical Music]

Bless up everyone.

This year is home to some of the greatest, and most conscious electronic music.  The sonic capabilities of music have skyrocketed within the past few years, giving birth to some of the largest, most fine-tuned sounds ever heard.  I mean it’s pretty obvious, if you throw on a record from circa ’00 then throw on a record released in the past month, you’re going to hear the difference in production quality.  It is no different for the drum and bass genre.  Just recently we have seen albums released from masterminds like Octane & DLR, Spectrasoul, and microphone champion DRS, while still looking forward to the release of Calyx & TeeBee’s full-length alongside others.    Russian drum and bass heavyweight, Enei, is in steady preparation for the release of his debut full-length album titled ‘Machines’, due out on the Critical Music imprint.  Enei is on the forefront of forward-thinking drum and bass music as he masters his niche for tightly coiled drum patterns and goliath bass tracks that send your psyche swirling through a sonic abyss of somatic stimulation.  This album is one at the top of my most anticipated list, and if it’s not on yours, fuck you.  Haha, just joking…but seriously.

“The Russian producer’s debut full-length continues in the same vein, with 11 previously unreleased tracks mostly at drum & bass tempo. The album has vocal appearances from DRS and Georgia Yates, and collaborations with Kemo (on “Saligia”) and Eastcolors & Noel on an updated VIP version of 2011’s “Cracker.” The vinyl release features only four tracks from the album; the digital version comes with four extra.”

 Words taken from Andrew Ryce via Resident Advisor

Tracklist
01. Machines
02. The Moment feat. DRS
03. 2012 feat. Eastcolors
04. Runnin feat. Georgia Yates
05. Centrifuge
06. Elephants
07. I Don’t Know
08. Saligia feat. Kemo
09. Thin Line
10. Cracker VIP feat. Eastcolors and Noel
11. Trainchaser

Mark your calendars for November 12th!  This album will hit all major retailers, so vinyl heads make sure you get your copy quick!  Watch this space for further details/updates and a full review once released.

To the gods.

-Kinman

Free Music From Truth & DJ Madd + More.

Bless up everybody.  There has been a lot of free music given out by top-notch producers lately so I figured that I would focus today’s post around that!  Who doesn’t like free music, right?

The first tracks I want to highlight are off the free album that Truth has put together to launch their new label, Defy Recordings.  This duo has honestly been on one of the most consistent rampages I’ve seen.  Whether it be their productions, their performances, podcasts, or the infiltration of San Francisco, CA’s streets, these guys have been carving out a very large name for themselves, and on a global scale.  BWS has been blessed enough to host Truth (Andre) at one of our events and it was epic!  Definitely a night that Santa Barbara still talks about.  The two tracks that have been released as an album sampler are ‘Gaza’ and ‘Rain Dancer ft. Yayne‘.  If you don’t follow them on Soundcloud, make sure to get on your profile and do so!  They have released remixes by J:Kenzo and Perverse exclusively to their Soundcloud followers.  Download the tracks below and make sure to give a massive shout to these boys.  An album of this caliber for free is genuinely one of the nicest things I have seen any producer do – so please make your gratitude known to them!

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This next free bit is a remix from my all-time favorite producer, DJ Madd.  Ever since I discovered his productions in 2008, I have been blown away by his sound and versatility.  Like many producers, he started by making drum and bass and naturally progressed into dubstep.  His productions are unrivaled in my opinion.  The man makes the cleanest, most diverse, and most powerful beats that circulate.  This remix he did of Congo Natty – Marcus Garvey is another shining example of his musical mastery.  This is an absolute spliff riddim’ that keeps things dubwise and deep.  Don’t sleep on this one!

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Alright that’s it for the freebies.

This next bit is a remix that Distance has done for Submotion Orchestra, taking on the tune ‘Blindspot’.  Distance takes a different take on things with this track, still ending up with phenomenal piece of music.  Have a listen below.  Really excited for this one to release.

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The last piece for today is a mix built just Bassweight Society.  A good good friend of mine, that I’ve been mixing with for going on 4 years now, has just recorded, hands down, one of the most energetic drum and bass mixes I’ve heard in a looooooong time.  The track selection, placement, and execution is all spot-on.  Loads of fresh releases as well as a few older gems.  I really urge you to set the time aside for this one!  All vinyl, all love.  Big up Nate.

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Big up fam’.  That’s all for today, probably for the next 10 days as I will be leaving for a trip tomorrow afternoon.  I wish you all the best!  All you Outlookers, I’m obscenely jealous, but am already looking forward to next years 🙂  Bless.

To the gods.

-Kinman