Tag Archives: Deep

Mission EP – Section 8 – [Sub Pressure Recordings]

Posted by Bassweight Society on

It’s always nice getting a fresh EP from a local label. Even nicer when the EP is jam-packed with upbeat rhythms, guaranteed to add pace and flavor to any set.  Out today, Section 8’s, Mission EP from San Diego’s Sub Pressure recordings, gives listeners a unique combination of originals and remixes with a nueral-tribal sound that showcases upbeat percussions and tearing synth lines.  Take the time and listen to this fresh release with us.

The first two tracks of the EP are Section 8 originals, both of the XL size, and an interesting and fast-paced take on your normal 140 riddims.  The title track ‘Mission’ is almost two entirely different tracks. The first half of the tune goes right in with a kick-driven sub-roller with complex percussive rhythms.  The fun really begins at 3:12 when we hear a breakdown and the start of a “new” tune.  Carrying many elements from the first bit, the second drop rolls through, but this time with a mind-tearing midrange synth, which, I imagine, sounds massive on a soundsystem, as well as my actual studio monitors.

Track two, ‘Cylinder’, is a groovy number with a clean and techy midrange riding the drums for ultimate funk. Its eerie background ambiance adds space and tension before the second drop, which is proven just as reliable as the first for adding a clean and funky flavor to your set.

On remix duties we have, Mouch and Killeralien, each artist taking a different approach to transforming, while respecting Section 8’s unique sound. Mouch’s remix of ‘Boulevard’, is a definite bag.  Swinging drums, interesting vocal chops and an even more intriguing use of bass, make this tune a killer remix and a standalone testament to Mouch’s ability.  Killeralien’s take of ‘Mercury’ stays with the “nueral-tribal” vibe mentioned earlier and features driving percussions and gritty cerebral bass.  This track fits perfectly in the EP, with a mind-blowing second drop featuring dosed-up synths and high energy percussion.  Give both these remixes a listen, as they truly do compliment Section 8 and the EP as a whole.

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Purchase the EP ———————–> HERE.

Make sure to support the stateside movement and check out Sub Pressure recordings and its artists featured today. Buy the EP if you enjoyed it, and stay connected with them.

Follow Sections 8’s pages:

FACEBOOK || SOUNDCLOUD

Sub Pressures pages:

FACEBOOK || SOUNDCLOUD || WEBSITE

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Enjoy the sounds.

– Shice

1 Year Anniversary Competition

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Big up fam’!

Today marks the 1 year anniversary for BWS.  I’m astounded at the amount of support this little idea has gained (although it may be miniscule relative to other platforms).  Going from 1 to nearly 800 supporters with over 20K views in a single year is amazing in my mind, regardless of how jaded the current state of social media would make it seem.  I am so thankful for the relationships that have come into being from this website.  I’ve connected with various people from all the world, and it’s been really humbling.

A seriously MASSIVE shout out of respect from myself to all of you that have made this page what it is today.   I would also like to shout a major thank you to you my best boys Shice and Lowkey, who helped build the foundation of BWS with me last year, although they’re both onto their own paths now.  Also, as you may have seen in the last post, there will be some new writers being introduced over the next couple months so be on the look for new flavor/opinions and be sure to make them feel welcome.  Ben Grimm was the first to be announced, so expect to see more from ‘Begrim’ on the garage side of things.  Let’s see what the next year holds for us, shall we?!

In order to celebrate this oh so monumental milestone I have decided to run a little competition for some free giveaways.  I was looking through my crates and came across 3 records that are duplicates because I double ordered them – sadly, on 3 separate occasions too, haha.  Anyways, since I’m broke as f*ck this was the best I could come up with.  I don’t think you’ll be disappointed, however.  All of the records are in ‘mint’ condition as they’ve never been played.  I will say, though, the Compa remix does have some scuffs along the outer rim, but this was due to manufacturer defect so don’t get pissed about a scuff on the free record you receive.  The three records are:

 Mavado – Dem A Talk (Compa Remix) [WXWL001]

Razor Rekta – Loko-Motiv / Development [CHST018]

Dark Tantrums – Unborn / Storm [MEDI054]

***Note to the winner:  If you’re located outside of the US, I will not be able to cover all the shipping costs, however, I will split them with you.  Once we come to that juncture we will figure it out as needed.  If you’re in the US, shipping is on me.

This competition is meant for the people that have been supporting during this year, so there is no need to publicly share this competition, unless you prefer to lessen your odds of victory.  If you prefer to share it, however, I have no issue with that.  All you need to do is answer the following three questions:

1.    Which song on his self-titled EP (‘Commodo EP’) did Commodo not want to include?

2.    Which artist that interviewed with BWS said these words: 

“theres just not enough energy in most of the stuff coming out whereas with these techno influenced rollers with the big relentless kick drum lines and the pounding subs there is just so much natural energy, you move instinctively to the music whether you like it or not because of the sheer physicality of it and the rhythms that have been engrained in us over the past millenia from ancient ‘tribal’ music. “

        3.    Who was the first artist to record a mix exclusively for BWS?

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Email your responses to bassweightsociety@gmail.com before November 15th, 2012.  YOU MUST ENTER ‘BWS 1 YEAR ANNIVERSARY’ AS THE SUBJECT LINE OR YOUR RESPONSE WILL NOT BE CONSIDERED.

May the best human win.

To the gods.

-Kinman

Occult – Tron (FREE DOWNLOAD)

Posted by Bassweight Society on

 

Big up fam’

Hope all is well! 🙂  Got another free tune for you today..

This one’s from the man like Occult, who has been tearing up bass-bins in this latter part of 2012.  With his ‘Cauldron’ EP just dropping last week (buy link HERE), October 15th, and already topping the charts, Occult has decided to give away one of his most sought after dubs – ‘Tron’.  This beat is an absolute anthem to the dread marchers.  Druid-esque horns immediately hook you in as the half-step madness begins an onslaught of head-nod grooves.  This is a tune that will no doubt set the dance off, and possibly murder the dance, quite literally, as the pressure of this beat weakens the clubs foundation.

Give Occult a massive shout for this one fam’!

|| FACEBOOK || SOUNDCLOUD || M.U.D. ||

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To the gods.

-Kinman

Kaiju – Monsters (FREE DOWNLOAD)

Posted by Bassweight Society on

 

“FREE EXCLUSIVE DOWNLOAD from JaimeLeDubstep.com/HighOnBeats.com & Kaiju. 

http://www.jaimeledubstep.com/2012/10/22/kaiju-monsters-free-dl/

Kaiju: 
Signed exclusively signed to Osiris Music, these two have been shaking up cobwebs with some support from big bass rattlers such as Kryptic Minds, Youngsta, Vivek, Thruth, N-type, Distance, J@kes, Phaeleh, Biome, Thelem, Commodo and the list goes on. That’s some very nice company to keep if you ask me.

Since all those big names are already in the know, we figure it’s time to share some join and spread the word for Kaiju as many more of these fine tunes are sure to surface when they are at the helm. Enjoy this FREE exclusive download of their track Monsters, and peep all the links below. These guys will turn concrete into dust!”

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Make sure you show your love for Kaiju!  Stop by one of their pages and drop them a line for the free download.  Seriously big things brewing for these two badmen in the future.

|| FACEBOOK || SOUNDCLOUD ||

One love.

-Kinman

Bassweight Sessions 3: Calski

Posted by Bassweight Society on

Big up fam’.  As I had said on Tuesday, I have a very special interview today with a Bristol-based producer.  There’s got to be something in the air in Bristol because the amount of top-notch musicianship that comes out of that city is just massive.  I’m going to have to collect some air in a jar whenever I get over there and take a huff each time I get in front of my beat machine ;).  Anyways, let’s get down to business!

Today’s feature is with Calum Lamont, aka Calski.  If you’re not familiar with his sound, I strongly urge you to look into it.  This is a producer who, in less than three years, has gained himself support from some of the scenes rising stars like My Nu Leng, DK, and The Town as well as dominators such as Phaeleh.  To try and pigeonhole Calum’s sound is nearly impossible (he’ll even tell you himself) as he is constantly changing the tempo, approach, and style of his productions.  What is very clear about this man is his ability to make beautiful music, so it should be no surprise that the King of melodic bass music, Phaeleh, has been showing his support.  Don’t want to say much more because his responses are quite informative.  Take a look below to find about what Calski has to say about being a musician in Bristol and why he feels it best to produce a multitude of genres rather than stick to a single formula…

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1.  Just to get the formalities out of the way, can you give the readers a quick rundown about who you are and the music that you make?

Im Calski, I’m from bristol and I make sub bassy, melodic and percussion based music. It’s always a tricky one when someone asks that because I dont really know what to say. I tend to cross between genres and try messing about with different styles so it hopefully stays interesting for people.

2.  How long have you been involved with music production?  What was it that sparked your passion?

I’ve been producing for about 3 years now. When I was younger I played the saxaphone and piano, which is what started my passion for music.  I only moved onto computer production after I downloaded a free demo of fruity loops on my mums computer and started making cheap grime tunes, but it was pretty pointless because you couldnt save your beats on the demo!  After I got bored of the FL demo I just enrolled in a music technology course and it all went from there really.

 3.  You seem to really have an exceptional ability to work your drum tracks.  Is this something that just manifested itself through your production style, or do you make the conscious effort to create the cleanest and fullest drum tracks?

Percussion is just something I’ve slowley progressed on over the years.  I love fat, punchy drum beats and anything with rythm and a nice bouncey vibe to get your head nodding.  I always find its important to work the drums as much as you can because in my tunes they are usually the main factor along with the sub and they can make or break the tune.

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 4.  Furthering on your production style, your sound is undeniably distinct.  I don’t know if it’s just something about Bristol that injects creativity into people, but the amount of artists w/ fresh sounds in massive (Die & Break, Addison Groove, Phaeleh, Guido, Kahn, Appleblim, list goes on…)!  How would you say the environment in Bristol has transposed itself into your productions, if at all?

Yeh its a hugeley inspirational city for music, arts and culture.  I’ve lived here for about 4 years now and dont think I will ever move.  I believe the city has had nothing but positive effects on my music, Bristol has some sick producers and labels in so many different genres so I try to take inspiration from everywhere I can. I started getting booked for small gigs for no money when I first moved to Bristol and it made me see just how big it all was, seeing people making their own tunes and doing well at their own thing drove me to try it myself.  I believe its important to be around people with similar goals and aspirations as you because you motivate one another.

 5.  You tend to cross genre platforms when writing music.  Some people believe that when trying to build a name for yourself, it’s better to identify with a particular sound in order to “brand’ yourself, in a sense.  You seem to have transcended this philosophy, so I’m curious as to hear your thoughts about cross-genre beat making.

Personally I think its important to cross different genres.  Most of the people I look up to and aspire to be are versatile producers.  I think if you use the same drum pattern, synth or stlye in every tune you make, you might make a few bangers but eventually people will get bored because its too predictable.  When I start making a tune, I never have any idea where im going to go with it.  I usually start with percussion and see where it takes me from there, but it never usually ends up where I thought it would!  I also listen to all different sorts of music so I can hear something that will inspire me to take a tune in a whole different direction when I’m half way through writing it.  I can be pretty annoying sometimes as well!

 6.  You and KeyedUp make quite the team.  How did you guys get linked up?  What more can we expect to hear from you two in the future?

We live in the same sort of area and just met through the music scene and started making tunes when we were chilling at mine. We dont really make tunes anymore because we are just heading in different musical directions.

 7.  Your debut EP on Overcooked Records  will be seeing a released October 1st.  I’ve listened to the tunes, and they’re top-notch!  How has the reaction been so far on the release?

Thank you 🙂  There has been a really positive reaction so far which I am really greatful for.  It’s had a few good reviews and its being played by some of my favourite artists.  People like ‘Enigma Dubz’, ‘My Nu Leng’ and ‘Phaeleh’ have been supporting it which is a real honor for me because I’ve been listening to their stuff before I even began producing.  I think the good thing about the EP is there is a variation of styles and hopefully a track for everyone on it, and if not.. wait for the next release!

 8.  Is there anything else in the near future that the readers should keep their eyes/ears out for (gigs, releases, etc.)?

There should be multiple releases dropping in the next couple of years.  A few EP’s on Overcooked Records and some releases on various different labels in between. Lots of different vibes to come!

 9.  What’s the one piece of advice/knowledge that you have today that you wish somebody would passed down to you early on in your career?

Without sounding too cliche …Just work hard at what you want to do, be persistent and determined in life and one day, eventually, it will pay off.

 10.  Who shot Biggie & Pac?

illuminati 😉

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Much respect out to Calum for taking the time out of his day to contribute to our Bassweight Sessions series.  If you haven’t already previewed his EP on Overcooked Records, the ‘St. Andrews EP’, be sure to check the link below as it’s most definitely one you’ll want to add to your collection!  Featuring 3 Originals, a collaboration with Enigma Dubz, and a remix of an Inkarv production.  Big sounds no doubt.  The EP is available for pre-order of iTunes currently and will be officially released on October 1st at all good online record stores.

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Also, to top things off Calski has been generous enough to build a mix for all your listening pleasures.  Unfortunately there were some complications while trying to upload the mix to Soundcloud, and I was not able to use that particular platform.  I have uploaded the mix to Mixcloud but, since the ability to embed the players used by Mixcloud to a WordPress site is non-existent (C’mon WordPress, seriously?!) you will have to follow the link below to our Mixcloud profile.  Believe me though, it is WELL WORTH the extra two clicks you will have to endure ;).  Check the link below…

http://www.mixcloud.com/BassweightSociety/calski-bassweight-sessions-3/

I hope you all enjoyed the words and the mix!  Will see you next time.

To the gods.

-Kinman