Truth – ‘Iron Lung/Medusa’ [NMN007]

NEWMOONTRUTH

EZ fam’, hope you’ve all been well since the last time I checked in here!  I’ve got a rather large release to highlight today, coming from the New Moon Recordings imprint based out of Poland.  The label has been putting out phenomenal music since it’s inception towards the latter part of 2010; signing artists like Killawatt & Thelem, Biome, Perverse, and Phaeleh.  Their seventh release is in the form of a 12″ single from the globally acclaimed duo – Truth.  I’ve said it before and I’ll say it again, these two have perfectly embodied, in my mind, how to go about taking an underground sound and creating a seismic commotion within the mainstream market.  With recent endeavors ranging from launching a new label – Defy Recordings, covering two part of the globe at any given time, launching a club monthly here in the Golden State (Deep, Dark, & Dangerous in San Francisco, CA), and putting out a steady string of releases, it is truly inspiring to see what the team’s evolution has accomplished thus far.

Truth’s first release for 2013 finds itself lurking among the outermost fringes of sanity, plunging through sadistic atmospheres that find themselves engulfed with spacious drum grooves and tectonic sub-pressure.  ‘Iron Lung’ sees the duo incorporate their notorious affinity to vocal progressions into a seemingly void realm of swinging half-step percussion and sinister horns.  ‘Medusa’ pulls out a much more desolate aesthetic than the former, with drawn out pads, pulverant bass lines, and elusive atmospheric scores that have a dissociative effect on the mind.  The power of the sub built for this beat is genuinely one of the most momentous I’ve heard, I can only imagine the feeling running through my flesh when standing in front of a top-notch club system.  This track is a perpetual state of falling, through a dissonant abyss of sound design.

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The release is set to drop Monday, March 25th, and will be available at all major record retailers, both physical and digital.  Links below.

VINYL | CHEMICAL || JUNO || REDEYE

DIGITAL | REDEYE || JUNO || CHEMICAL

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TRUTH |  FACEBOOK || SOUNDCLOUD || TWITTER

NEW MOON RECORDINGS |  FACEBOOK || SOUNDCLOUD || WEBSITE

I’ll catch you next time, hope you enjoy the sounds!

One love.

– Kinman

LAS – ‘Zaikedelic/Preacher’ [BOXCLEVER]

LAS BlackBox

Big up fam’

Got a short, but much more than sweet feature for you today.  I wanted to highlight the most recent release from the elusive Finnish badman – LAS (Love And Sound).  Ever since I stumbled across his music, when his tune ‘Power Surge’ was featured on Black Box 018 in October of 2011, I’ve had a very strong affinity for the his sound – and that record still finds itself in my sets more often than not!  An exceptional producer that cannot be pigeonholed to any stylistic output, and displays cunning musical abilites, grafting the worlds of analog and digital.

This release follows suit of transcending preconceived notions, bringing together raw hip-hop (esque) drum patterning and powerfully modern sub-movement.  My favorite off this single is ‘Zaikadelic’ due to its overall unique sound, giving off an analog jungle-influenced vibe.  The flip ‘Preaching’ falls into the more standard halfstep format, employing a daunting pad that swirls out of the mix intermittently, amidst a clean bongo loop and a sub-bass that will only be heard with proper frequency response in your sound.  The digital bonus track – ‘Zone Of Bones’ – puts out a gritty LFO sub, with reverbed and delayed droplets that bounce around as atmospheres are interchanging, with subtlety as their ‘modus operandi’.

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The release is out in stores now, so make sure to pick it up before it’s gone (if you’re a vinyl head)!  I’ve included a couple links to both vinyl and digital purchases.

VINYL | CHEMICAL RECORDS |

DIGITAL | CHEMICAL RECORDS || BEATPORT

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Stay connected with label and the man himself – links below!

LAS |  FACEBOOK || SOUNDCLOUD |

BLACK BOX – BOX CLEVER | FACEBOOK || SOUNDCLOUD |

Keep your thoughts >>>, I’ll catch you next time fam’.

One love.

Kinman

Olie Bassweight – The Ghost In The Machine LP [BASWGTCD002]

olie bass art

While I strongly believe the benefits far outweigh the detriments, one thing that always seems to happen to me in the contemporary age of music is that there is just SO much output at any given time, that many gems are likely to fall under the radar, to be discovered later.  I could just as easily consider it a good thing because there’s definitely a unique feeling experienced when you come across a piece of music fitting into this category, as opposed to following/anticipating a release months prior up to it’s actual drop-date.  This is precisely what happened to me with regards to Olie Bassweight’s ‘Ghost In The Machine’ album that dropped towards the end of December of last year.

While Olie’s role within the dubstep movement has been of an undeniably prominent nature – especially in New Zealand – this marks his first full-length album to date.  Featuring 15 tracks, two of which being shorter, more cinematic intro-type pieces,  the album strongly established the artist’s versatility in both stylistic approach and execution of sound engineering.

Below you find the tracklist and my three favorite beats off the album:

Tracklist –

1. Intro (The Ghost In The Machine)
2. Float VIP
3. Duality
4. Odyssey
5. Truth – Spook (Olie Bassweight Remix)
6. Interlude (Tides)
7. Tides Have Turned ft. Timmy P MC
8. Holon
9. Why are you here
10. Broken
11. The Message ft. Dubfonik & DMG MC
12. Tangled Blue Eyes Feat, Dubtek
13. Heavyweight ft. Triage and MC Kryptik
14. Condemned ft. Perverse and TZR
15. Survival

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You can purchase the album from the links below:

BEATPORT || JUNO DOWNLOAD || CHEMICAL

Vinyl Sampler:

CHEMICAL RECORDS

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Make sure to keep up with future projects through Olie’s social media outlets, too!

FACEBOOK || SOUNDCLOUD || TWITTER

I’ll you guys next time.  Big up for reading.  If you have any artists you’d like to see get some from BWS please don’t hesitate to shoot me an email at bassweightsociety@gmail.com with links to music, bio, etc.

One love.

– Kinman

The Audiovisual Spectrum: Earth616, Slime Recordings, & Diffrent Music

spectrum

What’s good again crew!

Begrim here, finally found some time to enter another post on the ever-so-massive Bassweight Society.

In this installment, we’ll be looking at the (audio) visual spectrum of music and it’s varied facets.  If you are anything like me, you most likely have a wide range of music genres in your library that you constantly shuffle through.  Spanning from the recent to the old, electronic and non-electronic, this music accumulation stands as our personal ‘continuum’ so-to-say, a spectrum we use depending on our moods, feelings and listening needs.  Especially with the growth of electronic music, there can be a tendncy to ascribe a single, over-specific label to track style’s (post-dub-trap-deep…), much like what happens with the naming of colors (Robin’s Egg Sea Razzle).  This often leads to convoluted branding that can inadvertently cause bias in listeners and pigeonhole producers to  a specific style.  However, much like a graph of the visual spectrum, music is all connected by a single factor with varying amounts of energy, rhythms, and other ingredients combined.  With bass as the connecting factor of our “audiovisual” spectrum, we’ll be exploring three labels that all share this common center yet present their music in varying forms.  Beginning with some higher-energy “red/yellow” grime from Earth616, we’ll move into Slime Recordings’ mellower “blue/green” dubstep/garage/deep house, and end on something…Diffrnt… in the “purple/pink” wavelengths.

Hope you enjoy the rainbow.

EARTH616

Earth616

Starting off is Earth616, a grime label run by the notable Logan Sama.  With no “official” webpage, Soundcloud, or Facebook, the mysterious monicker puts out primarily vinyl presses with a few digital releases scattered here and there.  Featuring released by grim legends such as Maniac, DJ Q, Faze, Miyake and Wiley, Earth616 brings some of the best grime instrumentals there are to offer.

Preditah – Gears of Grime 12″

Already receiving it’s own separate digital release in December, Earth616 recently distributed wax-pressings of this beaut.  Preditah abosultely kills it on this EP, showing the range of sound grime still has to offer.  Starting off with classic synth-heavy tracks ‘Circles VIP’, ‘Nosy Parker VIP’, Preditah then rolls out his take on trap, ‘Evil Twin’.  He follows with two super bass-heavy hitters, ‘Gully (instrumental)’ and ‘Rubicon’.  This cycle repeats itself with ‘Skank (Dub)’ and ‘Sword’, and Preditah finishes up with what he calls a “dark garage” track, ‘The Beat Skipped’.  Fusing classic slapping drumwork with deep, pulsating lows, Preditah expands upon the conventional grime sound and presents a multi-genre approach to a music style he knows and loves.  Definitely keep an eye out for his future releases, as well as the other artists on Earth616.

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Preditah:

FACEBOOK || SOUNDCLOUD

Earth616:

WEBSITE (SORT OF)

SLIME

Slime Recordings

Moving into the mid-spectrum sounds, Slime Recordings puts out a wide array of different styles of 12X-14Xbpm music. Working on getting their 56th release under their belt, Slime has featured EP’s by artists such as Submerse, Resketch, Mr Beeb, Eyelove and a forthcoming by Aleks Zen.

BSN Posse – Love History EP

After their debut on Slime Recordings, “Songs from the Sea EP”, BSN Posse recently released “Love History EP” which features their original track and six remixes.  Soothing vocals glide over melodic synths, giving this song a relaxing feel that still has driving energy. Each remix adds a new element to Love History, morphing it into a shuffling garage track, a low-end bass banger, a jumpy trap rhythm, and a classic deep house anthem. While any of these songs could be featured in their own single, Slime’s release of this EP helps illuminate the range of possibilities this one song has to offer. More importantly, it demonstrates that a “bass centered core” will hold prevalent no matter what direction a producers decides to take. Take a moment out of your day to have some Slime time.

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BONUS: V/A – Basswave 2

Slime’s 2012 compilation album does not disappoint, covering so many areas of music it’s unreal.

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FACEBOOK || SOUNDCLOUD || WEBSITE

DIFFRENT

Diffrent Music

Recognized by their pink Giraffe logo, Diffrent Music describes themselves as “focusing on pushing the whole movement of stripped back head-nodding drum tracks and big deep monstrous bass.” Label co-founders Hunchbak and Dexta stated that, We believe that there’s a lot of soul-less D&B music out there due to labels having to put out music that ‘HAS’ to sell. Ultimately we’re about making music fun, trying new things & putting out music that we truly love!” This point of view comes across clearly in their releases, which range from amazing low-roller drum & bass tracks to genre-bridging 170-ish tracks they categorize as “giraffestep”.  With productions by artists such as Fredric Robinson, Arkaik and Dan Marashall as well as future releases by Fearful, Fable & Beezy, and Shaded, Diffrent is definitely a label to keep an eye on in this coming year.

Fathom Audio – Promises/Ridges

Comprised of two DJ’s, Billion and Fybe, and two MC’s, Sense and Codebreaker, Fathom Audio’s single shows both the darker and lighter sides of Diffrent. “Promises” starts out with fluttering trebles and stripped-back percussion, but quickly adds a resonant, forceful bassline that drives the rest of this lurking track. Contrastingly, “Ridges” starts out with a pulling, ethereal synth and muffled female vocals and quickly transitions into a full-fledged inspiration, featuring melodic harp sweeps and percussion reminiscent of early Rockwell. Both songs are prime example of the possibilities that exist in the 170bpm realm and will have you moving along, whether it be nodding to the broody lows or swaying to the ethereal highs. Something Diffrent, for sure.

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BONUS: Cursa & Futurist – Clart [Forthcoming]

Featured on Diffrent’s monthly Giraffecast, this upcoming release from Cursa & Futurist is absolutely mind-blowing. Deep, resounding bass kicks and eerie clicks haunt this track, giving it a driving yet freeform sound. Upon completion of the B-side, this release from Diffrent will be shaking subs around the world.

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FACEBOOK || SOUNDCLOUD || WEBSITE

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Well, thanks again for letting me show you the spectrum of sound out there.  Stay bass centered my friends.

-Begrim

Gantz – ‘Enso/Siyam’ [IMRV003]

Innamind_Gantz_EP_pack

Innamind Recordings has been one of the recently founded (2011) imprints that has taken the underground dance scene by storm, specifically with regards to dubstep.  With a discography showcasing artists like Perverse, Catacombs & Knowledge, and Nanobyte, the third installment of their vinyl had a mighty reputation to uphold.  Label-boss Jeremy Pattison drew for just the right weapon with his signing of Gantz.  Quickly taken under by Thinking for the Box Clever imprint last year, Gantz should be no stranger to any of your ears.  Both of his tracks ‘Catalyst’ and ‘No Faith’ were, and still are highly regarded by heads throughout.

For his sophomore physical release, Gantz again shows his knack for blisteringly concise percussive abilities alongside obscurity and eeriness within his atmospheres.

‘Enso’ ||

This beat unfolds in a proper shuddersome fashion, with dissonant pads that set the stage for an abrupt attack of drum grooves and sub-bass swing.  The careful placement of his bongos compliment the overall aesthetic of this beat quite nicely.

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‘Siyam’ ||

No question this is my favorite track off the release.  As the intro provides a seemingly junglist vibe with diamondback-esqu (the snake) rattles and slowly-decaying synths I couldn’t help being reminiscent of the old-school raves I used to attend.  The scattered stuttering of his kick drums, beautifully chopped vocal processing, and flawless placement of his tribal percussion creates an extremely smooth listening experience that can tear up just about any venue, be it a dark warehouse, sandy beach, or bedroom skank session.

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The release is currently available through Chemical and Surus, both of which are linked below for those wanting to pre-order (will ship February 1st):

CHEMICAL RECORDS || SURUS

For the digital heads, the release should be available at all fine retailers (including the above links) so mark your calendar to pick this one up on Monday, February 4th!

Stay connected with Gantz and Innamind Recordings below:

Gantz : FACEBOOK || SOUNDCLOUD || TWITTER

Innamind : FACEBOOK || SOUNDCLOUD || TWITTER

Until next time.

One love.

– Kinman