Future Jungle – Insights and Outlooks with Arc88

Ay, welcome back, we hope you had a sub-filled weekend. If you remember, today’s post will be following up on our introduction to Future Jungle last week. Way back then, we introduced the sound we hesitantly dubbed ‘Future Jungle’ and had a sick jungle mix from local dj Archive. We also promised some inside info from someone behind the mixing board, and boy did we deliver.

Arc88 sat down with us last week and really educated the crew on what Future Jungle is, where it came from and where it’s going. In the Q & A you can expect to gain an insight of the emergence of 140 Jungle, its furtherance by artists pushing the sound and a general understanding of its place in the dance music horizon – all from a producer, who we think speaks for the genre.

Arc88 Interview:

BWS) Could you briefly explain a bit about yourself, where you’re from and a bit of backstory of your dj/production career until this point?

Arc88) I’ve been producing for a few years now, I’ve fucked about with loads of different genres but decided to stick with this because its a style I’ve dug for years.

The first 140 Jungle bit I made was a bootleg. (probably better if i don’t say what) After that I made ‘A Feeling’ (which is coming out on Terrain) that gained some interest which inspired me to carry on. With that I built “2 Many” which turned out to be my first release on Terrain which I’m still getting mad feedback internationally so I’m grateful for that.

BWS) Rad. So is 140 Jungle a new style to you? or simply Jungle slowed down?

Arc88) This sound is a bit of a mix really, I try and keep it as legitimate sounding as possible because I want someone to listen to it and assume it was made in 1990, but with new production tools and software. You don’t get that same gritty true sound they did back then, so the production is going to sound a fair bit cleaner.

What I do really, is infuse a very early Hardcore sound with a later style Jungle drum track, as opposed to the earlier Hardcore jungle sound where the drums would be fairly minimal. (I use pitch changing drum rolls and fills quite in the style of Shy Fx, Bass Master Warriors, Potential Bad Boy etc.)

It is slowed down to a certain degree when you consider Jungle music, but early Jungle was around 150 bpm anyway and hardcore/acid house started at 135 – 140 bpm, so with modern bass music now, it made sense to refer back to these early styles.

BWS) Education! What inspired you to create this style of music? and who are some other producers that you would consider your peers in 140 Jungle?

Arc88) Well I’ve always loved Jungle and I’ve heard a lot of Hardcore so as soon as people were feeling it, I thought there’s no reason to not rep it fully.I haven’t heard many other producers go for this sound apart from the obvious being Skream and Rusko… But people doing it proper underground still are: Myself , Benton , Unitz, Dismantle, Taiki and Nulight and I rate this guy at the moment called Dj Gold with a track called 45 War, its fire. (below)

BWS) Listening to your mix on Terrain Record’s website – it’s sick! Do you see, or perhaps, feel, a resurgence of Jungle  in 2012, and will it be in the 140-150 bpm range rather than in the 170’s?

Arc88) Thanks man, and yeah I do big time. I can’t wait for how it’s gonna blow. It’s just a matter of time with the reoccurrence of acid house and stuff like that. We’re gonna go back in time to ’91 and it’ll be pure madness, and yeah I think it’ll stay at this tempo for a while because I can’t see people not playing dubstep in the near future and if it fits in with their set, they will play it.

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BWS) Hell yeah!  With that said, is 140 Jungle well received when you play out?
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Arc88) Yeah man it seems to be, due to growing popularity, it seems to be getting dropped earlier on in sets which is always good, but at the moment if you have an entire half step set you kind of want to speed up towards the end and finish on a hype. Either way I’m just glad its getting played out…I would be interested to see some reactions to it overseas.
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BWS) Yeah we’ll try and link you something. Going back in time, what are some of your influences when creating this sound?
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Arc88) Ahhh well for the hardcore sound I like K Class, Acen, Total Kaos, SL2, Altern 8. For jungle… Shy FX, Mickey Finn, Bass Master Warriors, 4 hero, Origin Unknown, Dj SS, Blackstar, Congo Natty…ahh theres too many!
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BWs) Which dj’s are currently pushing this sound?
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Arc88) At the moment:  N-type, Dismantle, Unitz, Benton, Taki and Nulight and myself are pushing it proper.
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BWS) Do you see yourself sticking with 140 jungle in the future, and are there any releases or labels we can look forward to in 2012?
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Arc88) Yeah I’m gonna stick with this sound. I might move it in the direction of acid house, but thats as far as I see it going at the moment, there’s more freedom than people think with this genre so I wanna blow some minds before I think about doing anything else.
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2012 holds: ‘Pelican’ (Terrain) ‘A Feeling’ (Terrain) ‘Powwa Moves’ (Wheel & Deal) ‘The Code’ ft. Daddy Freddy (Wheel & Deal)
BWS) That’s what we like to hear! Signing off, do you have a message for bass music enthusiasts in the States?
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Arc88) Stay locked to UK music. Listen to Rinse FM over the internet… download my 140 jungle mix from terrainrecords.com.
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BWS) Thank’s again and we look forward to hearing more from you!
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There it is, another great interview with Arc88! Take a minute to let it marinade, maybe read it over one more time, because Arc just dropped some real knowledge!  His insights are much appreciated at BWS and we hope our readers are as stoked as us!
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We’ll be back with more future jungle posts, in the meantime, check out the aforementioned artists and Arc88’s mix on Terrain’s site.
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Follow us on Facebook!
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-BWS (Shice)
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Can You Handle The TRUTH?

What’s good everybody!  As I’m sure you made out from the title, we are highlighting the New Zealand Dubstep superstars, Truth.  This talented duo has been making big tune after big tune.  We will never forget the first time we heard a Truth song.  It was the remix of Optimus Gryme – Immortal, back in 2009, and we immediately knew these guys were going to be doing big things.  With releases like ‘The Fatman’, ‘Soundsystem’, and ‘Full Baked’, it is no surprise that they have become one of the most respected artists in the bass music scene.  Heavily influenced by Loefah and Mala, Truth’s music is filled with spacey, low-end pressure displaying a very unique “darkness” to it.  Releasing tracks like ‘Feel’ with Silkie, ‘Dreams Can Never Come True” , and ‘Birds’ ft. Dutty Ranks Truth’s ability to produce innovative sounds whilst paying homage to the foundations of Dubstep music is exhibited.  Their debut album, ‘Puppets’, being nominated for best Dubstep album of 2011 in the Dubstepforum awards showcases the forward thinking direction these guys are headed in.  Truth’s two latest releases, ‘Full Baked’/’Birds ft. Dutty Ranks’ (BLACKBOX019) & ‘Snake’/’Direct Blow’ (GDKR003) are unbelievable and I would highly recommend purchasing them before they sell out the 12″ ‘ s.  Below are a couple links you can purchase their music and also their Soundcloud, in case you haven’t heard the weight that Truth brings.

Truth – Full Baked/Birds ft. Dutty Ranks

Truth – Snake/Direct Blow

Truth – Birds ft. Dutty Ranks

Truth – Full Baked

Truth’s Facebook Page

Truth’s Twitter

Truth’s Myspace Page

Truth’s Website

Truth has been on a US tour recently and are making a couple stops in Southern California!  Bassweight Society has brought Truth to Santa Barbara, CA on November 17, 2011.  Those of you that are close to this area, you won’t want to miss this event.  NO COVER CHARGE TO SEE TRUTH!!  That’s right, you read that correctly, NO COVER.  Check below for more information!  All those Bassweight Society family members that live close by, make sure you don’t miss out on this, we got 10,000 watts of subwoofer coming out to this gig 🙂 .

Bassweight Society Presents : TRUTH @ EOS LOUNGE

Eos Lounge

500 Anacapa Street

Santa Barbara, CA 93101

That’s all people.  Go out and buy Truth’s music and make sure you get yourself to Santa Barbara on the 17th of November.

Peace everybody.

-Bassweight Society

7 Questions for Seven : Exclusive Interview with One of UK’s Finest.

Tonight, Bassweight Society sits down with the badman Eddy Woo, aka Seven.  If you haven’t heard this name circulating around clean your ears out, because Seven’s ability to produce low-frequencies in such a HUGE fashion is hard to miss.  We here at  Bassweight Society recognize the talent that Eddy exhibits and show MAD support for his music.   Receiving a huge amount of support from long-time friend, Youngsta, Eddy’s transition into the dubstep scene was almost inevitable.  Acclaimed by many as one of “…the most technical DJ’s on the market today”, Seven takes his stage performance very seriously.  Eddy is a man who has truly dedicated his ENTIRE life to his music.  Especially lately with his debut album on the verge of release, which we’ll find out more about in our interview.  So lets get down to the business at hand, representing UK Dubstep worldwide across the globe…. Seven from Black Box Records, Wheel & Deal, Tempa and Subway Recs:

BWS:  How do you view the US dubstep scene? and How does it compare to the UK?
  • Seven: It’s kinda become its own thing really. It’s followed suit from the bro-step uprising which came out of the UK, produced by many dnb artists having a try at dubstep. But it varies greatly from the music we are making in the UK now. We have been through that era and although some UK parties and commercial radio stations still play that kinda music, the forward thinking nights and radio shows are all playing true UK dubstep at its finest. I think the sound will catch on in the USA.   As it did in the UK, people will just get bored with the same old noises over n over and the scene there will evolve and reshape.

BWS: What other musical influences outside of dubstep do you incorporate into your productions?

  • Seven: I get asked this a lot. I’m not even really that sure to be honest. I guess my dnb past plays a role in terms of the darkness i like to incorporate into my tunes. That whole 1996 – 1999 era of jungle/dnb shows through in the atmosphere I create in my tracks.
BWS: Listening to your mixing, you have a very technical style.  How do you play out live? and What do you want the audience to take home from your performances?
  • Seven: I use Serato and Technics 1210s. I grew up mixing on decks with vinyl, so it’s the only way I know how to do my thing the best I can.  When was a kid I used to chill with friends after big nights out and talk about tracks, DJ’s and mixes with so much enthusiasm. I hope people talk about me and my tunes like that after they come to see me perform live.  I love to DJ. I want people to enjoy what I do, like I enjoy doing it. It’s what comes natural to me and before any productions, so I put all my heart and soul into my sets. I treat it like a performance, in hope people go home and remember my set and anticipate seeing me again. I try to make the sets as intricate and exciting as I can. I try to make it all about euphoric build ups and big double drops with cutting edge music and future proof vibes.
BWS: What are your favorite production mediums? DAWs? Hardware? Software?
  • Seven: Mac Pro running Logic Pro. Moog and Virus Ti synths. UAD2 QUAD and various plug-ins. Mackie 824mk1 monitors.
BWS: Do you have any side projects in the works?
  • Seven: No, I have literally focused all my time on my album which is due for release anytime soon. I do make other music genres, but I am solely focused on what I’m doing right now. The album.
BWS: What motivated you to switch your sounds up to dubstep?  We know you used to make a lot of well-known drum and bass before your appearance in the dubstep scene.
  • Seven: DJ Youngsta is a close friend of mine. Around 2006 he asked me to make him a track to play in his sets. He knew my productions standards were of a professional level and was keen to hear me make a dubstep track for him. It didn’t take my persuading as I had found my sound to be very formulated in dnb. It felt more like a production line, than a fun vocation. So I went into the studio and made a track I named “Changing Lanes”. Youngsta played it in all of his sets and it encouraged me to make more.  So it was a turning point for me, and a huge one too. I began to make lots more dubstep. It really brought the fun back into production times.   I got caught up in a whirl wind with it after that and had a string of successful releases which cemented my roots into the scene.
BWS: Are there any releases that people should keep their eyes out for in the near future?
  • Seven: Yes. My debut album on Black Box Records. Titled “Evolution” we are just rounding up the project now and we’re hoping we can get it out before the end of the year.   It will feature 13 tracks by myself. No collabs apart from vocals inclusions. But I think people will be pleasantly surprised by who I have chosen. But that’s a surprise. It will be available on both vinyl, CD and digital formats and showcases my sound from all one side of the spectrum to the other.
Seven’s Soundcloud:
There you have it people, from the man himself.  Make sure you keep your eyes out for the full length album from Seven, due out very soon.
A special thanks from BWS to Seven for his support.
-Bassweight Society