Category Archives: Dubstep

Truth – Evil In The Woods [Smog Records]

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Following suit from the appreciation Shice noted in receiving amazing music from a local imprint, it was an amazing day when I received the promo’s for the latest EP from the Smog imprint, based out of Los Angeles.  These guys have been building a dubstep following in the Southern California area for 6 years now – one of the longest running dubstep collectives in the nation!  They’ve seen an evolution from vacant corporate offices and basements of art galleries, to several thousand capacity venues.  I have the utmost respect for what the label has built in my hometown.  Their 20th release couldn’t have been more well represented, than by Truth.  Truth has been on a massive scale global infiltration mission, pushing their sound into every region of the world.  Their fully immersed touring habits, unbelievably high output of music, and the sincere way in which they carry themselves and their values, have all culminated into a following that holds in the highest of places among underground music.  Seeing what they’ve done within 2012 alone makes me extremely excited for what 2013 will bring – especially since they are now officially California residents!

“Making their debut to the Smog label, TRUTH brings you something deep, dark and dangerous from this New Zealand duo. “Evil In The Woods” conjures up images of witch craft and black magic. This four track EP includes a unique collaboration with DATSIK that crosses his mechanical bass with that classic Truth sound.”

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Evil In The Woods ||

This is a track that was perfectly suited for its UKF hosting.  In my opinion, it’s the most aggressive track on the EP (yes, even more so than the Datsik collab).  The tune gets straight to the point with sweeping atmospheres and chords that stab their way through the background.  The square wave bass notes immediately tear through your speaker box as the beat drops into full effect, leaving your mind filled with thoughts of apocalyptic madness (or at least my mind).  This is definitely a track that’s meant to destroy dance floors worldwide.

All Over ||

This beat sees Truth hark back on a nostalgic journey through half-step grooves couple with the seemingly signature ability to process samples in a fashion that just cannot be matched.  From the elongated fade of a single note to the perfect choice in words to splice, Truth make use of their vocal samples in the most efficient way.  The variety of atmospherics, and alternating basslines drenched with delay show their face in every nook and cranny of the track – making it impossible to predict what you’re about to hear next.  Get ready for your soul to be swallowed by rupturing low-end frequencies.

No Chance ft. Datsik ||

This one caused some whispers prior to its preview being released!  It seems that as soon as some saw the name ‘Datsik’ included in the track name, they began to doubt the Truth.  I’m sure there are still some that claim to dislike this beat but, for the most part, I think people have to admit that this tune is an absolute riddim’.  I’ve heard a few Truth & Datsik collabs while having the pleasure of seeing Truth play out, and I’ve never once been dissatisfied.  In all honesty I think the robotic bass techniques, that Datsik is clearly endowed with, compliment Truths undeniable ability to blow your shirt back with bassweight.

Talking To Myself ||

Grabbing hold of your brain with LFO modulation and swinging high hats you’ll be instantly hooked.  With its neck-snapping snare hits and gritty bass horn, that would likely be used to signal roll call for modern day druids, this is an absolute anthem!  Sweeping pads build the energy between each segment of the song magnificently.  The delayed percussion that hits at the beginning of each bar, the filter mod’ing on what seems to be an arpeggiator, and feedback laced bass strikes all equate to a stomping rhythm that will bring charred witches up from their graves.

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BEATPORT || ITUNES

Follow Smog:  FACEBOOK || WEBSITE || SOUNDCLOUD

Follow Truth:  FACEBOOK || SOUNDCLOUD || TWITTER

That’s what I got for your bass bins today, folks.  Get out there and snag this EP up.  It’s a digital only release, so all the vinyl heads like myself, I recommend finding a reasonably priced cutter to get these to you on acetate.  It’s worth it, in my opinion.  Until next time.

To the gods.

-Kinman

Mission EP – Section 8 – [Sub Pressure Recordings]

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It’s always nice getting a fresh EP from a local label. Even nicer when the EP is jam-packed with upbeat rhythms, guaranteed to add pace and flavor to any set.  Out today, Section 8’s, Mission EP from San Diego’s Sub Pressure recordings, gives listeners a unique combination of originals and remixes with a nueral-tribal sound that showcases upbeat percussions and tearing synth lines.  Take the time and listen to this fresh release with us.

The first two tracks of the EP are Section 8 originals, both of the XL size, and an interesting and fast-paced take on your normal 140 riddims.  The title track ‘Mission’ is almost two entirely different tracks. The first half of the tune goes right in with a kick-driven sub-roller with complex percussive rhythms.  The fun really begins at 3:12 when we hear a breakdown and the start of a “new” tune.  Carrying many elements from the first bit, the second drop rolls through, but this time with a mind-tearing midrange synth, which, I imagine, sounds massive on a soundsystem, as well as my actual studio monitors.

Track two, ‘Cylinder’, is a groovy number with a clean and techy midrange riding the drums for ultimate funk. Its eerie background ambiance adds space and tension before the second drop, which is proven just as reliable as the first for adding a clean and funky flavor to your set.

On remix duties we have, Mouch and Killeralien, each artist taking a different approach to transforming, while respecting Section 8’s unique sound. Mouch’s remix of ‘Boulevard’, is a definite bag.  Swinging drums, interesting vocal chops and an even more intriguing use of bass, make this tune a killer remix and a standalone testament to Mouch’s ability.  Killeralien’s take of ‘Mercury’ stays with the “nueral-tribal” vibe mentioned earlier and features driving percussions and gritty cerebral bass.  This track fits perfectly in the EP, with a mind-blowing second drop featuring dosed-up synths and high energy percussion.  Give both these remixes a listen, as they truly do compliment Section 8 and the EP as a whole.

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Purchase the EP ———————–> HERE.

Make sure to support the stateside movement and check out Sub Pressure recordings and its artists featured today. Buy the EP if you enjoyed it, and stay connected with them.

Follow Sections 8’s pages:

FACEBOOK || SOUNDCLOUD

Sub Pressures pages:

FACEBOOK || SOUNDCLOUD || WEBSITE

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Enjoy the sounds.

– Shice

Dubtek – Extension/Plus Ultra [UA001]

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“Badman Eddy Woo, aka Seven, has teamed up with Subculture Artists main woman behind the scenes Verity to launch Uprise Audio.  I shouldn’t have to give an introduction for Seven because the man has been a don to the scene for over a decade, whether it be his early drum and bass or more recent dubstep productions.  Verity is woman who has a work ethic that most can only aspire to.  Between her involvement with Subculture Artists and ICU Audio, working a studio, and NOW Uprise Audio, I often find myself wondering how the f*ck she does all this when there is only 24 hours in a day.  I mean, seriously though?”

You may recognize the above caption from a feature a little ways back that introduced the label Uprise Audio.  If you missed it, you can check it here.  Well, yesterday marked the official release of the first 12″ in their soon to be massive catalog.  You have had to been sleeping under a rock for the past month if you haven’t heard this being played at some point by figures such as Youngsta, N-Type, and J:Kenzo!  With Seven’s meticulous attention to detail and Verity’s astounding work ethic you can be sure that every single release that will be coming from this imprint is going to be top-notch.  002 is already lined up from Ayslum (1/2 of Vicious Circle), and both of the tunes on that one are just as beastly at Dubtek’s 001 release.  This is seriously an imprint to closely monitor – I know I will be!  Anyways, here’s what the PR has to say about 001:

A|| Extension

As soon as Extension starts, the captivating and very haunting intro lead sound commands your complete attention. Then commences the groove driven weighty journey which unfolds. Just when you think u have heard all the track has to offer, tiny percussion changes alter the groove completely, leaving you in an aural daze of technicality and brilliance.

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AA|| Plus Ultra

Plus Ultra is a groove based dancefloor killer. It’s clever vocal and leading intro bring you to a climactic bass explosion designed to tear up dancefloors and dominate any double drop mix. It’s laced with intelligent sound responses which weave in and out of the bass groove all throughout the composition giving the listener a detailed soundscape for ones mind to get lost in.

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UPRISE AUDIO FACEBOOK || UPRISE AUDIO SOUNDCLOUD

DUBTEK FACEBOOK ||DUBTEK SOUNDCLOUD

BUY LINKS:

Chemical Records

Juno

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That’s all for today fam’.  Next week is lined up with massive releases so expect to see a handful of reviews here on the site.  I hope everyone has a great weekend!  Bless.

To the gods.

-Kinman

Breakage – ‘The Promise’ EP (FREE)

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Big up everyone!  Don’t have a lot of time this week because of school but, I thought you’d get a kick out of this one 🙂  One of the most OG producers in the game (personal favorite of mine) has been generous enough to give out a free EP to all you listeners!  It’s very simple to obtain the tunes, just sign up for the newsletter or share via your social media network of choice by following the below link.  This one is MASSIVE.

“To download the EP for free please go to breakagemusic.com/download

Breakage follows his critically acclaimed album ‘Foundation’ & crossover hit ‘Fighting Fire’ with his latest offering ‘The Promise EP’. Progressive in nature, with a nod to both the Balearic Island & the basements of inner-city London, this four-tracker is a taster of what is to come as Boyle readies his 3rd album, set for a 2013 release. Featuring co-production talents of Dismantle on ‘Ass Up’, early supporters include Annie Mac, Mista Jam, Skream, James Zabiela, Busy P, Basement Jaxx & more.

“Breakage bringing the same depth and space he had in D&B over to House and Dubstep can only be a good thing. The hallmarks of a great producer.” Mista Jam

Released by: Digital Soundboy Recordings 
Release/catalogue number: DSB046 
Release date: Nov 1, 2012 “

Words Taken from http://www.breakagemusic.com

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Enjoy everyone!

To the gods.

-Kinman

1 Year Anniversary Competition

Posted by Bassweight Society on

Big up fam’!

Today marks the 1 year anniversary for BWS.  I’m astounded at the amount of support this little idea has gained (although it may be miniscule relative to other platforms).  Going from 1 to nearly 800 supporters with over 20K views in a single year is amazing in my mind, regardless of how jaded the current state of social media would make it seem.  I am so thankful for the relationships that have come into being from this website.  I’ve connected with various people from all the world, and it’s been really humbling.

A seriously MASSIVE shout out of respect from myself to all of you that have made this page what it is today.   I would also like to shout a major thank you to you my best boys Shice and Lowkey, who helped build the foundation of BWS with me last year, although they’re both onto their own paths now.  Also, as you may have seen in the last post, there will be some new writers being introduced over the next couple months so be on the look for new flavor/opinions and be sure to make them feel welcome.  Ben Grimm was the first to be announced, so expect to see more from ‘Begrim’ on the garage side of things.  Let’s see what the next year holds for us, shall we?!

In order to celebrate this oh so monumental milestone I have decided to run a little competition for some free giveaways.  I was looking through my crates and came across 3 records that are duplicates because I double ordered them – sadly, on 3 separate occasions too, haha.  Anyways, since I’m broke as f*ck this was the best I could come up with.  I don’t think you’ll be disappointed, however.  All of the records are in ‘mint’ condition as they’ve never been played.  I will say, though, the Compa remix does have some scuffs along the outer rim, but this was due to manufacturer defect so don’t get pissed about a scuff on the free record you receive.  The three records are:

 Mavado – Dem A Talk (Compa Remix) [WXWL001]

Razor Rekta – Loko-Motiv / Development [CHST018]

Dark Tantrums – Unborn / Storm [MEDI054]

***Note to the winner:  If you’re located outside of the US, I will not be able to cover all the shipping costs, however, I will split them with you.  Once we come to that juncture we will figure it out as needed.  If you’re in the US, shipping is on me.

This competition is meant for the people that have been supporting during this year, so there is no need to publicly share this competition, unless you prefer to lessen your odds of victory.  If you prefer to share it, however, I have no issue with that.  All you need to do is answer the following three questions:

1.    Which song on his self-titled EP (‘Commodo EP’) did Commodo not want to include?

2.    Which artist that interviewed with BWS said these words: 

“theres just not enough energy in most of the stuff coming out whereas with these techno influenced rollers with the big relentless kick drum lines and the pounding subs there is just so much natural energy, you move instinctively to the music whether you like it or not because of the sheer physicality of it and the rhythms that have been engrained in us over the past millenia from ancient ‘tribal’ music. “

        3.    Who was the first artist to record a mix exclusively for BWS?

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Email your responses to bassweightsociety@gmail.com before November 15th, 2012.  YOU MUST ENTER ‘BWS 1 YEAR ANNIVERSARY’ AS THE SUBJECT LINE OR YOUR RESPONSE WILL NOT BE CONSIDERED.

May the best human win.

To the gods.

-Kinman