Killjoy – Memories EP [TUM004]

.TUM004 artwork

Oi!  Hope everyone is good, yeah?

I want to bring the spotlight back to the Tumble Audio imprint today, as Monday saw the release of their 4th installment.  Killjoy (aka Core aka Ashburner) makes his return to the buttons with three original tracks, accompanied by remixes from Caski and Notion.  Killjoy put Tumble Audio on the map after writing the label’s debut release back in October of ’12 with his ‘XTC’ EP, namely (in my opinion) the track ‘Tiki’.  Killjoy brings an eclectic trio of music for 004, each tune embracing its own persona within the UK Funky format.  The 4×4 kick and pumping bassline in the title track offer up a instant party starter, while the groovy drum breaks and crafty vocal sampling of ‘Inaudible Badness’ bring things right back to the dancehall.  ‘Tangle Riddim’ is a breed of its own, sounding like some sort of brainchild of Coki’s ‘Goblin’ after a night of ketamine and Atari – a tool certain to set the energy off!  Ghost Records signee Caski puts a 140 spin on ‘Memories’, with a halfstep skeleton that leaves plenty of room for sub-bass flex and vocal intricacies.  Notion has outdone himself with his take on ‘Memories’, crafting an absolute slumper of a tune.  Infusing grime and funky to provide a track that will convulse your body through a state of boogie like no other!  It’s no surprise that such talent comes from Bristol.

Check the release below, and make sure to keep yourself locked into the Tumble Audio and Killjoy pages for future release/parties/etc.




I’ll catch you next time, heads!

– Kinman


[FIRST LISTEN] Uprise Audio X Artikal Music

uprise audio

artikal music

Bless up fam’

I know it’s been a decent minute before I’ve upped any content, and I apologize for that, I just don’t have much free time with my schedule and it’s currently being utilized for brainstorming new ideas for the website – coming soon.  I appreciate all your patience and understanding on the matter and can assure you that once the new site is set forth things will be in FULL swing again.

Anyways, I’ve got a very special feature today, that will make anybody unable to make the Uprise Audio X Artikal Music night in East Village a couple weeks back very happy!  I’ve been speaking with Eddy about uploading the audio to Youtube, and after the strenuous process that Uprise went through to get things ready, they’re finally set to go!  Unless you’ve been browsing the Uprise Audio Youtube channel this morning, nobody has seen or heard these bits.  Bassweight Society has been given the honor of announcing them to bassweight enthusiasts worldwide.

Anytime a bill is filled with musicians as solid as Seven, Kenzo, Mosaix, Quantum Soul, Wayfarer, and Taiko, listeners take heed to the seriousness of the night.  Everybody knew that it was going to be a magical night, and although the live stream wasn’t functioning properly during the show, we now have the audio to reinforce that presumption.  Clear your plans for the day, or tell your boss to fuck off, because you have a  lot of sonic battery to endure 🙂














WOIIIIIIIIIIIII!  You still alive?  That was some serious heat, if you were able to play through those videos, mimicking the way things went down that night, out to you!  It just further cements my envy of those living across the pond, and the scene that has been cultivated there.  I hope you enjoyed the sounds!  Be sure to check out the Uprise and Artikal pages below if you’re not already involved!




Big love to Eddy, Verity, and all the Uprise and Artikal family.  I’ll catch you next time.  Long live BASSWEIGHT.

One love.

– Kinman

Demon – ‘Judgement Day’ EP [MUD015]


This past Monday saw another installment in the M.U.D. legacy take form in three tracks from Demon, the label’s founder and head honcho.  Raff has taken he and his team along an immense journey from the depths of the UK underground to a reach that is now globally recognized.  Demon just recently made his debut appearance in the United States, playing Sub.Mission (Denver) with Youngsta and at Subverse in New York, giving the stateside fam’ some first-hand dosage of the ‘M.U.D. life’ musical values.  Unfortunately he wasn’t able to make it out to Cali so I didn’t get to catch him, but I’m sure people are going to be left fiending after that little taste, and we’ll have him out here again in no time.

As the momentum continues in the unrelenting release schedule of the Macabre Unit collective, Demon cements his feet at the forefront of his label with three immaculate pieces of music, each tackling separate realms within the dark and twisted canopy of dubstep.  ‘Judgement Day’ rudely sets the stage for the EP.  The eastern vocals will instantly hook your attention as it provides some sense of reassurance, despite the beats overall aesthetic of impending doom.  The jungle breaks programmed halfway through add a refreshing flavor before the song harks back down it’s path of stuttered drums and sinister pads……. ‘Manipulation’ ft. Beezy is quite what you would expect, I’m sure.  Demon’s clean production abilities laced with Beezy’s highly-acclaimed vocal styles, generally containing lyrical content along the lines of brainwash, new world order, disease, government corruption, and various other happy elements that come along with the human experience 😉  The beat carries a heavy half-step skeleton, with LFO mod on the sub helping it pulsate through the space left by the drums.  Beezy’s voice is just as G as it gets – always.  The closing track for the EP, ‘Bad Trip’, is my favorite off the release.  The lead synth progression immediately had me dialed into this one.  The amount of detail that went into this beat just seems mental.  There are so many subtle components within, tailing kick drums and sub notes to create an unrivaled amount of groove and bounce throughout the beat.  The panning creates a sense of disorientation as sounds are constantly weaving back-and-forth within the mix.  I imagine it would do the same amount of damage to the dance floor as Seven’s ‘Picture This’ off his Evolution LP released towards the end of last year.


The release dropped last Monday, March 25th, and is available in digital format only.  You can snag the release from all major online retailers but below are a couple links to do so:


Be sure to stay linked with M.U.D./M.U.V. and Demon with the links below:




I’ll catch you next time fam’.  I’ve got a really dope release to highlight tomorrow for the deep house heads.  Be on the look!

One love.

– Kinman

East End Dubs – She Loves It EP [ANR011]

east end dubs art

If you’re not aware of the man behind the alias and label – East End Dubs – you’re in for quite the treat.  I’d be telling a fib if I told you I’ve been following the man for very long, I only stumbled across his music a couple months back.  But, after delving into his discography, I’ve discovered that this man has been producing some of the (in my opinion) freshest, cleanest, and most dance-friendly deep house my ears have come across.  Seemingly a man of mystery, he’s received much of his acclaim from the label he runs – self-titled ‘East End Dubs’ – that has put out a number of white label, limited edition, color 12″ records alongside digital copies.  The series, as of now, has reached it’s 6th installment and is sure to steadily march forth.  He has also started a vinyl-only release series with the 001 set to drop sometime in early April and I highly recommend the vinyl heads to stay on top of this one – it contains 4 masterfully constructed tracks that will suit any warehouse vibe.  Check the pre-order link —–> PRE-ORDER

The release I want to highlight today dropped yesterday on Act Natural Records, and features 4 original compositions from the Londoner:

  1. She Loves It
  2. Stranger
  3. Make Some
  4. Charlie Foxtrot

‘She Loves It’ kicks off the EP with deep, sub-driven grooves accompanied by stuttered kicks, and dauntingly sexy vocal chops woven throughout the mix.  My personal favorite off the EP.  ‘Stranger’ follows suit as far as the depth factor, with generous amounts of reverb applied to stabs and various other synth sounds – creating a very dubbed-out aesthetic for the track.  ‘Make Some’ is all about the drums!  Thundering kick hits, crisp hats, and various other percussive elements are sewn together leaving ample space for the subtle pad present itself, rising and falling from the mix.  To finish out the EP, ‘Charlie Foxtrot’ brings us back to the warehouse with our eyes down and feet moving.  Applying his signature mastery of clean drum hits, he adds punching synth stabs, distant vocal chops, and eerily pleasing atmospherics that give a perfect finishing touch to this beat.


As of now, the release is a Beatport exclusive so I’ve included the buy link below:


Stay linked with East End Dubs and Act Natural Records:




That’s all I got for today, fam’.  Until next time…

One love.

– Kinman

Demon – Blood Sport / Intensity [ICU006]

If you haven’t seen the name ‘Demon’ circulating at some point or another over the past few months, you’ve definitely been smoking way too many bath salts.  He has, alongside his hefty crew, been infiltrating the 140 scene with pumping sub-bass notes, and his uniquely twisted mid-range filter modulations.  As founder of the M.U.D/M.U.V (Macabre Unit Digital/Vinyl, respectively) he has been able to aggressively make his presence known over the past year.  Signing releases to heavyweights such as Biome, DCult, and Perverse – to name a few, the represented sound has gained a very strong and dedicated following.

Demon takes a breather from releasing on M.U.D/M.U.V for a brief moment with tunes ‘Blood Sport’ and ‘Intensity’, as they have been signed to ICU Audio.  Both of these beats take a Freddy Krueger approach to their sound design, and will likely leave you wondering what the f*ck just happened!  I am really happy with the way this release represents a ‘sound’ or ‘vibe’, as a whole.  It’s not just two tracks thrown together as an ‘A’ and ‘B’, rather two tracks built with the intentions of being released together.  It could be said that between these two tracks there is a story being told.  Some might argue my claim but if you play these tracks back-to-back in the mix you’ll understand what I’m talking about.  You see this often when someone plans on building an album, but no so much with a 12″ – I’m really feeling this approach, whether intended or not.

Blood Sport ||

As this one creeps in with distant tribal chants and delayed synth chords there is a mystic energy being built up.  Then the track is stripped and the only thing left is a swelling chant.  You’d think, at first listen, you know what’s about to come next.  For f*cks sake, you probably couldn’t have been more wrong!  The way this beats evolves from a colorful meditation vibe, into a depth-charge of sub weight, built beneath a swinging pattern of kick and snare, made me double glance at my iTunes thinking I somehow switched the track.  This is a half-step riddim’ meant to tear the roof off clubs.  As the track evolves even further, the colorful synths make their way back into the sound field and beautifully integrate ‘tribal’ and, so called, ‘dungeon’ sounds.  Hold tight for the second drop!

Intensity ||

These mid-range bass notes just tear through your mind!  The way he has chosen to build upon the grooves and transitions of this track victims screaming adds an…. errr… well, ironically, ‘intensity’ to the composition, that makes you feel like you are right there – living inside the beat.  Upon the beat hitting its full potential, your body will be surged with an innate urge  to relentlessly roll your body back and forth to bouncy sound design of this one.  It’s a very powerful track, to say the least, that nicely embodies Demon’s style/approach by showcasing his extremely dark and energetic grooves.



Purchase ICU006:


Follow Demon:


Follow ICU Audio:


That’s it for today, fam’.  Make sure you snag this release up as it’s an essential for any deep heads collection.

One love.