Southbound Hangers ft. Scratchmaster Techno – Look Better / Marchmellow Remix [LUVSIC003]

Love Sick

Big up fam’.

The third installment of the Love Sick Records catalog dropped today, featuring Southbound Hangers ft. Scratchmaster Techno and a remix from Marchmellow.  The original is the real gem off this release – it’s an absolute dance-smasher!  No surprise to me that it has received widespread support in the DJ sets of Skream & Benga, Dismantle, and even Funtcase and Walsh.

The notorious vocals of Scratchmaster Techno on ‘Look Better’ flow flawlessly over the bouncing beat structure as it flaunts influence from the early 90’s era of house music (clearly a favorite of the Love Sick crew!).  The kick drums on this beat will send anybody’s person into an unavoidable state of controlled movement, beautifully constructed and EQ’d.  There are some very subtle atmospheres that provide the beat with a quite an analog aesthetic, it’s really refreshing!

Marchmellow slows the tempo down with his take, adding a very dance-able set of chords progressing in a sea of reverb.  Again, this track takes on a heavy influence of early house music with the big room kick drums and chopped up, dubbed-out vocals.  Another refreshing track that embodies the Love Sick ethos of “music that’s at home in the club or the bedroom.”  Hold tight for the second drop!

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You can pick up the release from all major retailers, I’ve provided a couple links below:

|| CHEMICAL RECORDS || BEATPORT || JUNO DOWNLOAD ||

Don’t forget to subscribe to the Love Sick crew pages if you haven’t already!

LOVE SICK | FACEBOOK || SOUNDCLOUD || TWITTER |

SOUTHBOUND HANGERS | FACEBOOK || SOUNDCLOUD || TWITTER |

MARCHMELLOW | FACEBOOK || TWITTER |

SCRATCHMASTER TECHNO | FACEBOOK |

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That’s the word for today!  I hope you’re all feeling the sounds.  Send any complaints to your mom.

One love.

– Kinman

Horace Andy – Cuss Cuss – DJ Madd Remix / TMSV Remix [MS011]

moonshine

EZ everybody.

With the recent launch of J:Kenzo’s label – Lion Charge – and the announcement from DJ Madd that he will also be launching a label called ‘Roots & Future’ it seems that there is a surge of appreciation and nostalgia being aimed at the massive amount of influence that dub-reggae played in the inception of the ‘foundation sound’ of dubstep.  Not that it had gone away or anything, but with the evolution of the genre the influences became less explicit, and are also being taken from a vastly greater pool of musical styles.

Moonshine Recordings has also taken it upon themselves to pay homage to the dub in dubstep with their most recent catalog addition.  Both DJ Madd (seems to be a pattern here with him lately) and TMSV have taken a legendary reggae song from the 80’s and injected their interpretation with modern-day production quality and weight.  Both of these producers are dons in their own right, and Madd is my most respected producer within the dubstep framework – EVER.  Both interpretations are top-notch with TMSV utilizing a more percussive approach with his bongos weaving in-and-out, and DJ Madd coming correct with a wall of pulsating bottom-end that could be felt from blocks away.  If you were quick enough, you would have been able to grab the single-sided 10″ release of DJ Madd’s version a few weeks back, out to those that did (like me).

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The release is set to drop on March 11th and will be available at all good record stores, in both vinyl and digital format.  Don’t sleep!

Stay connected:

DJ MADD |  FACEBOOK || SOUNDCLOUD || TWITTER

TMSV |  FACEBOOK || SOUNDCLOUD || TWITTER

MOONSHINE RECORDINGS | FACEBOOK || SOUNDCLOUD

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This post was taken via a feature I published on my other blog at Sub.Mission Dubstep, I just wanted to get it out there for as much exposure as possible, so I’m re-blogging it here.  It’s a seriously massive release so be sure not to sleep on it!

It drops March 11th.

You can pre-order it through Surus right now and if you purchase the vinyl, you get the digital copies for free!  Killer deal, so support the scene and buy some good music 🙂  Link below…

SURUS STORE

I’ll catch you guys next time.

– Kinman

Olie Bassweight – The Ghost In The Machine LP [BASWGTCD002]

olie bass art

While I strongly believe the benefits far outweigh the detriments, one thing that always seems to happen to me in the contemporary age of music is that there is just SO much output at any given time, that many gems are likely to fall under the radar, to be discovered later.  I could just as easily consider it a good thing because there’s definitely a unique feeling experienced when you come across a piece of music fitting into this category, as opposed to following/anticipating a release months prior up to it’s actual drop-date.  This is precisely what happened to me with regards to Olie Bassweight’s ‘Ghost In The Machine’ album that dropped towards the end of December of last year.

While Olie’s role within the dubstep movement has been of an undeniably prominent nature – especially in New Zealand – this marks his first full-length album to date.  Featuring 15 tracks, two of which being shorter, more cinematic intro-type pieces,  the album strongly established the artist’s versatility in both stylistic approach and execution of sound engineering.

Below you find the tracklist and my three favorite beats off the album:

Tracklist –

1. Intro (The Ghost In The Machine)
2. Float VIP
3. Duality
4. Odyssey
5. Truth – Spook (Olie Bassweight Remix)
6. Interlude (Tides)
7. Tides Have Turned ft. Timmy P MC
8. Holon
9. Why are you here
10. Broken
11. The Message ft. Dubfonik & DMG MC
12. Tangled Blue Eyes Feat, Dubtek
13. Heavyweight ft. Triage and MC Kryptik
14. Condemned ft. Perverse and TZR
15. Survival

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You can purchase the album from the links below:

BEATPORT || JUNO DOWNLOAD || CHEMICAL

Vinyl Sampler:

CHEMICAL RECORDS

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Make sure to keep up with future projects through Olie’s social media outlets, too!

FACEBOOK || SOUNDCLOUD || TWITTER

I’ll you guys next time.  Big up for reading.  If you have any artists you’d like to see get some from BWS please don’t hesitate to shoot me an email at bassweightsociety@gmail.com with links to music, bio, etc.

One love.

– Kinman

The Audiovisual Spectrum: Earth616, Slime Recordings, & Diffrent Music

spectrum

What’s good again crew!

Begrim here, finally found some time to enter another post on the ever-so-massive Bassweight Society.

In this installment, we’ll be looking at the (audio) visual spectrum of music and it’s varied facets.  If you are anything like me, you most likely have a wide range of music genres in your library that you constantly shuffle through.  Spanning from the recent to the old, electronic and non-electronic, this music accumulation stands as our personal ‘continuum’ so-to-say, a spectrum we use depending on our moods, feelings and listening needs.  Especially with the growth of electronic music, there can be a tendncy to ascribe a single, over-specific label to track style’s (post-dub-trap-deep…), much like what happens with the naming of colors (Robin’s Egg Sea Razzle).  This often leads to convoluted branding that can inadvertently cause bias in listeners and pigeonhole producers to  a specific style.  However, much like a graph of the visual spectrum, music is all connected by a single factor with varying amounts of energy, rhythms, and other ingredients combined.  With bass as the connecting factor of our “audiovisual” spectrum, we’ll be exploring three labels that all share this common center yet present their music in varying forms.  Beginning with some higher-energy “red/yellow” grime from Earth616, we’ll move into Slime Recordings’ mellower “blue/green” dubstep/garage/deep house, and end on something…Diffrnt… in the “purple/pink” wavelengths.

Hope you enjoy the rainbow.

EARTH616

Earth616

Starting off is Earth616, a grime label run by the notable Logan Sama.  With no “official” webpage, Soundcloud, or Facebook, the mysterious monicker puts out primarily vinyl presses with a few digital releases scattered here and there.  Featuring released by grim legends such as Maniac, DJ Q, Faze, Miyake and Wiley, Earth616 brings some of the best grime instrumentals there are to offer.

Preditah – Gears of Grime 12″

Already receiving it’s own separate digital release in December, Earth616 recently distributed wax-pressings of this beaut.  Preditah abosultely kills it on this EP, showing the range of sound grime still has to offer.  Starting off with classic synth-heavy tracks ‘Circles VIP’, ‘Nosy Parker VIP’, Preditah then rolls out his take on trap, ‘Evil Twin’.  He follows with two super bass-heavy hitters, ‘Gully (instrumental)’ and ‘Rubicon’.  This cycle repeats itself with ‘Skank (Dub)’ and ‘Sword’, and Preditah finishes up with what he calls a “dark garage” track, ‘The Beat Skipped’.  Fusing classic slapping drumwork with deep, pulsating lows, Preditah expands upon the conventional grime sound and presents a multi-genre approach to a music style he knows and loves.  Definitely keep an eye out for his future releases, as well as the other artists on Earth616.

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Preditah:

FACEBOOK || SOUNDCLOUD

Earth616:

WEBSITE (SORT OF)

SLIME

Slime Recordings

Moving into the mid-spectrum sounds, Slime Recordings puts out a wide array of different styles of 12X-14Xbpm music. Working on getting their 56th release under their belt, Slime has featured EP’s by artists such as Submerse, Resketch, Mr Beeb, Eyelove and a forthcoming by Aleks Zen.

BSN Posse – Love History EP

After their debut on Slime Recordings, “Songs from the Sea EP”, BSN Posse recently released “Love History EP” which features their original track and six remixes.  Soothing vocals glide over melodic synths, giving this song a relaxing feel that still has driving energy. Each remix adds a new element to Love History, morphing it into a shuffling garage track, a low-end bass banger, a jumpy trap rhythm, and a classic deep house anthem. While any of these songs could be featured in their own single, Slime’s release of this EP helps illuminate the range of possibilities this one song has to offer. More importantly, it demonstrates that a “bass centered core” will hold prevalent no matter what direction a producers decides to take. Take a moment out of your day to have some Slime time.

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BONUS: V/A – Basswave 2

Slime’s 2012 compilation album does not disappoint, covering so many areas of music it’s unreal.

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FACEBOOK || SOUNDCLOUD || WEBSITE

DIFFRENT

Diffrent Music

Recognized by their pink Giraffe logo, Diffrent Music describes themselves as “focusing on pushing the whole movement of stripped back head-nodding drum tracks and big deep monstrous bass.” Label co-founders Hunchbak and Dexta stated that, We believe that there’s a lot of soul-less D&B music out there due to labels having to put out music that ‘HAS’ to sell. Ultimately we’re about making music fun, trying new things & putting out music that we truly love!” This point of view comes across clearly in their releases, which range from amazing low-roller drum & bass tracks to genre-bridging 170-ish tracks they categorize as “giraffestep”.  With productions by artists such as Fredric Robinson, Arkaik and Dan Marashall as well as future releases by Fearful, Fable & Beezy, and Shaded, Diffrent is definitely a label to keep an eye on in this coming year.

Fathom Audio – Promises/Ridges

Comprised of two DJ’s, Billion and Fybe, and two MC’s, Sense and Codebreaker, Fathom Audio’s single shows both the darker and lighter sides of Diffrent. “Promises” starts out with fluttering trebles and stripped-back percussion, but quickly adds a resonant, forceful bassline that drives the rest of this lurking track. Contrastingly, “Ridges” starts out with a pulling, ethereal synth and muffled female vocals and quickly transitions into a full-fledged inspiration, featuring melodic harp sweeps and percussion reminiscent of early Rockwell. Both songs are prime example of the possibilities that exist in the 170bpm realm and will have you moving along, whether it be nodding to the broody lows or swaying to the ethereal highs. Something Diffrent, for sure.

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BONUS: Cursa & Futurist – Clart [Forthcoming]

Featured on Diffrent’s monthly Giraffecast, this upcoming release from Cursa & Futurist is absolutely mind-blowing. Deep, resounding bass kicks and eerie clicks haunt this track, giving it a driving yet freeform sound. Upon completion of the B-side, this release from Diffrent will be shaking subs around the world.

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FACEBOOK || SOUNDCLOUD || WEBSITE

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Well, thanks again for letting me show you the spectrum of sound out there.  Stay bass centered my friends.

-Begrim

Gantz – ‘Enso/Siyam’ [IMRV003]

Innamind_Gantz_EP_pack

Innamind Recordings has been one of the recently founded (2011) imprints that has taken the underground dance scene by storm, specifically with regards to dubstep.  With a discography showcasing artists like Perverse, Catacombs & Knowledge, and Nanobyte, the third installment of their vinyl had a mighty reputation to uphold.  Label-boss Jeremy Pattison drew for just the right weapon with his signing of Gantz.  Quickly taken under by Thinking for the Box Clever imprint last year, Gantz should be no stranger to any of your ears.  Both of his tracks ‘Catalyst’ and ‘No Faith’ were, and still are highly regarded by heads throughout.

For his sophomore physical release, Gantz again shows his knack for blisteringly concise percussive abilities alongside obscurity and eeriness within his atmospheres.

‘Enso’ ||

This beat unfolds in a proper shuddersome fashion, with dissonant pads that set the stage for an abrupt attack of drum grooves and sub-bass swing.  The careful placement of his bongos compliment the overall aesthetic of this beat quite nicely.

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‘Siyam’ ||

No question this is my favorite track off the release.  As the intro provides a seemingly junglist vibe with diamondback-esqu (the snake) rattles and slowly-decaying synths I couldn’t help being reminiscent of the old-school raves I used to attend.  The scattered stuttering of his kick drums, beautifully chopped vocal processing, and flawless placement of his tribal percussion creates an extremely smooth listening experience that can tear up just about any venue, be it a dark warehouse, sandy beach, or bedroom skank session.

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The release is currently available through Chemical and Surus, both of which are linked below for those wanting to pre-order (will ship February 1st):

CHEMICAL RECORDS || SURUS

For the digital heads, the release should be available at all fine retailers (including the above links) so mark your calendar to pick this one up on Monday, February 4th!

Stay connected with Gantz and Innamind Recordings below:

Gantz : FACEBOOK || SOUNDCLOUD || TWITTER

Innamind : FACEBOOK || SOUNDCLOUD || TWITTER

Until next time.

One love.

– Kinman