Author Archives: Bassweight Society

A Look Into Killawatt & Thelem

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What’s good everybody.  Before we send you off into the weekend we wanted to showcase two up-and-coming heavy hitters that have been making big moves lately.

The first artist we’re going to talk about is a man hailing from Guildford, UK.

Killawatt has just recently begun to manifest his talents as a Dubstep producer, making the transition from Jungle.  While still owning Satta Sounds, a Jungle record label, he has begun to delve into the more deeper, tribal productions of the 130-140bpm range.  Although he has only been on the radar for a relatively short time, his productions are of ABSOLUTE quality.  Quickly gaining releases from Wheal & Deal, Black Box, Box Clever, and Subway Recordings, Killawatt has the potential to do many great things in years to come.  Below you will find Killawatt’s Soundcloud, make sure you lend an ear to his tunes.  You will also find the 4-tune EP that Killawatt has given out for free to his fans.  Please spread his sounds to your friends and get this guy the support he deserves!

Killawatt’s Free EP:

Black Sun Empire – Kempi (Killawatt Remix)

Killawatt – The Room

Killawatt – Hypertension

Killawatt – Wired In

Second at the plate is a man who, in a very consistent manner, has been putting out some extraordinary bassweight.  Matt Weare’s ability to meticulously construct his soundscape  makes a bold presence in the crisp, clean, and controlled quality of his music.  Thelem’s recent collaborations with Chestplate newcomer, Sleeper, consist of ridiculously pressurized low-frequencies that could threaten the stability of any building, given the proper sound system.  Also the owner of Orientis Records, which hosts fellow heavy-weight producers such as Killa&Instinct, Crisp, and Pressa, Matt has his mind set on setting an example.   With the start-up of his new record label  Thelem strives to carry on the vinyl culture by requiring all releases to be pressed into wax.  Bassweight Society highly recognizes and commends this effort to uphold bass musics roots.  So be on the look out for more huge releases by this guy and the rest of the Orientis crew.  Below you will find 3 tunes from Thelem’s Soundcloud page:

Thelem – Waiting Hour (Forthcoming LPR)

Thelem & Killawatt – Dualism

Thelem & Sleeper – Untitled

Don’t let these guys slip under your radar because they are going to be responsible for some MASSIVE sounds to come.  Hope everybody enjoys the free tunes, make sure to big up Killawatt for his generosity!

One love to the gods.

-Bassweight Society

7 Questions for Seven : Exclusive Interview with One of UK’s Finest.

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Tonight, Bassweight Society sits down with the badman Eddy Woo, aka Seven.  If you haven’t heard this name circulating around clean your ears out, because Seven’s ability to produce low-frequencies in such a HUGE fashion is hard to miss.  We here at  Bassweight Society recognize the talent that Eddy exhibits and show MAD support for his music.   Receiving a huge amount of support from long-time friend, Youngsta, Eddy’s transition into the dubstep scene was almost inevitable.  Acclaimed by many as one of “…the most technical DJ’s on the market today”, Seven takes his stage performance very seriously.  Eddy is a man who has truly dedicated his ENTIRE life to his music.  Especially lately with his debut album on the verge of release, which we’ll find out more about in our interview.  So lets get down to the business at hand, representing UK Dubstep worldwide across the globe…. Seven from Black Box Records, Wheel & Deal, Tempa and Subway Recs:

BWS:  How do you view the US dubstep scene? and How does it compare to the UK?
  • Seven: It’s kinda become its own thing really. It’s followed suit from the bro-step uprising which came out of the UK, produced by many dnb artists having a try at dubstep. But it varies greatly from the music we are making in the UK now. We have been through that era and although some UK parties and commercial radio stations still play that kinda music, the forward thinking nights and radio shows are all playing true UK dubstep at its finest. I think the sound will catch on in the USA.   As it did in the UK, people will just get bored with the same old noises over n over and the scene there will evolve and reshape.

BWS: What other musical influences outside of dubstep do you incorporate into your productions?

  • Seven: I get asked this a lot. I’m not even really that sure to be honest. I guess my dnb past plays a role in terms of the darkness i like to incorporate into my tunes. That whole 1996 – 1999 era of jungle/dnb shows through in the atmosphere I create in my tracks.
BWS: Listening to your mixing, you have a very technical style.  How do you play out live? and What do you want the audience to take home from your performances?
  • Seven: I use Serato and Technics 1210s. I grew up mixing on decks with vinyl, so it’s the only way I know how to do my thing the best I can.  When was a kid I used to chill with friends after big nights out and talk about tracks, DJ’s and mixes with so much enthusiasm. I hope people talk about me and my tunes like that after they come to see me perform live.  I love to DJ. I want people to enjoy what I do, like I enjoy doing it. It’s what comes natural to me and before any productions, so I put all my heart and soul into my sets. I treat it like a performance, in hope people go home and remember my set and anticipate seeing me again. I try to make the sets as intricate and exciting as I can. I try to make it all about euphoric build ups and big double drops with cutting edge music and future proof vibes.
BWS: What are your favorite production mediums? DAWs? Hardware? Software?
  • Seven: Mac Pro running Logic Pro. Moog and Virus Ti synths. UAD2 QUAD and various plug-ins. Mackie 824mk1 monitors.
BWS: Do you have any side projects in the works?
  • Seven: No, I have literally focused all my time on my album which is due for release anytime soon. I do make other music genres, but I am solely focused on what I’m doing right now. The album.
BWS: What motivated you to switch your sounds up to dubstep?  We know you used to make a lot of well-known drum and bass before your appearance in the dubstep scene.
  • Seven: DJ Youngsta is a close friend of mine. Around 2006 he asked me to make him a track to play in his sets. He knew my productions standards were of a professional level and was keen to hear me make a dubstep track for him. It didn’t take my persuading as I had found my sound to be very formulated in dnb. It felt more like a production line, than a fun vocation. So I went into the studio and made a track I named “Changing Lanes”. Youngsta played it in all of his sets and it encouraged me to make more.  So it was a turning point for me, and a huge one too. I began to make lots more dubstep. It really brought the fun back into production times.   I got caught up in a whirl wind with it after that and had a string of successful releases which cemented my roots into the scene.
BWS: Are there any releases that people should keep their eyes out for in the near future?
  • Seven: Yes. My debut album on Black Box Records. Titled “Evolution” we are just rounding up the project now and we’re hoping we can get it out before the end of the year.   It will feature 13 tracks by myself. No collabs apart from vocals inclusions. But I think people will be pleasantly surprised by who I have chosen. But that’s a surprise. It will be available on both vinyl, CD and digital formats and showcases my sound from all one side of the spectrum to the other.
Seven’s Soundcloud:
There you have it people, from the man himself.  Make sure you keep your eyes out for the full length album from Seven, due out very soon.
A special thanks from BWS to Seven for his support.
-Bassweight Society

The West Coast Don: Matty G

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Happy Halloween all you bass fiends!!  Hope everybody had a great weekend.  Bassweight Society had an amazing time at ‘Escape From Wonderland’ in San Bernadino, CA on Saturday night!

For today’s post we are highlighting an artist who we can, without a doubt, say is constantly igniting sparks of hope for the US dubstep scene.  The Santa Cruz, California artist Matty G has truly shown a relentless attempt to “..take it back to the soul, to try and represent America’s art form a little better.”  This attempt has become much more of an actuality.  His manner of stylistically incorporating the West Coast into his tunes, arguably, cannot be matched by any other producer in the US. With early hits like ‘50,000 Watts’ and ‘My 808’ there is a reason he is the only West Coast producer signed to the famed UK label, ‘Dub Police’, along with many of dubstep’s other heavy hitters. From his earlier productions to his upcoming EP, we at Bassweight Society are proud of the milestones Matty G has set for US dubstep and the West Coast.

Matty’s most recent release, the ‘Back To The Bay’ EP exhibits some of his most talented work yet.  Every single tune on this release is absolutely MASSIVE.  Please show some support for this man as he continues to keep the US on the map by pushing sounds and styles that are unlike any others.  Here’s a link that you can purchase this EP at: http://www.surus.co.uk/dub-police-records/back-to-the-bay-ep-15237.aspx .

Again, please support by purchasing this EP.

That’s it for today everyone.  Hope you enjoy the sounds!  Make sure to stay tuned, we have interviews with some amazing artists coming your way.

One love.

-Bassweight Society.

Chestplate Business

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Happy Friday everybody!  With Halloween right around the corner, we thought there could be nothing better than to bring the sounds of Chestplate Records to your attention.  The label hosts some of the darkest sounds in circulation, and is no secret to those who keep up with scene.  Founded by the one and only, Distance, Chestplate Records lets their music speak for itself.  The labels arsenal or artists consists of Distance, Cyrus, Tunnidge, District, and the labels newest member, Sleeper.  Each and every one of these guys puts out some of the heaviest bassweight on the market.  Distances reputation in the dubstep world is one comparable to Skream, Benga, or Pinch.  In other words, HE”S HUGE.  His backround of heavy metal and industrial music gives his sound an element that sets him apart from anybody else.  What that element is I cannot describe with words, but take a listen to a couple of tunes and it becomes very clear that this man is a pioneer.  His forthcoming EP, titled Meanstreak, has been one of the most anticipated releases of 2011.  Within 24 hours of the preorders opening up, every 12″ pressed, was sold!!  Distance and the rest of the Chestplate crew have made a HUGE imprint on ‘dubstep’ since it’s early beginnings and will continue to do so with the additions of artists like District and Sleeper.  Below you will find soundcloud links to the Meanstreak EP and the rest of the Chestplate family.  You can preorder the digital versions of Meanstreak here: http://www.surus.co.uk/chestplate/meanstreak-ep-14553.aspx , SO GET ON IT.  Also don’t forget to stop by the Chestplate Records facebook for all the latest updates and info on the label: https://www.facebook.com/pages/Chestplate/267307096647968.

Distance – Mind Control (Meanstreak EP)

Distance – Knowing ( Meanstreak EP)

Distance – Meanstreak (Meanstreak EP)

Sleeper

Tunnidge

Hope everyone enjoys the sounds.

Peace.

OLTTG

-Bassweight Society

And it begins.

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Well folks tonight is the night that this plane takes off.  As I was thinking about all the things that I could say for the first post it struck me that , realistically, there aren’t going to be very many people reading this first post.  So I think instead of composing a masterpiece of linguistic expression for virtually nobody, I will keep it short and sweet tonight.

     The first artist we want to highlight is a man who, in our opinion, is a dying breed of producers.  Dom Tarasek, aka Commodo, is a sampling king, which these days is few and far between.  We’re talking real sampling abilities here too, not just tossing a couple words in before the drop of a tune.  With his sampling skills he brings an eclectic repertoire of sound, ranging from tribal chest rattlers to hyped dance floor business.  Commodo’s choice to keep his feet rooted in values of the “dubstep beginnings”, such as the vinyl culture,  is one that I look upon with immense amount of respect and admiration.  Today we have 3 Songs from this badman. 1 from a release on Black Box records that he did with Lurka called “Airtight”.  The other two are off his latest Deep Medi release, MEDI044, “Uprising/Saracen”.  Keep your eyes on this guy because his unique style of sound will prove to be a lasting one with the deep heads.

Commodo & Lurka – Airtight

Commodo – Uprising

Commodo – Saracen

Like we said, keeping it short and sweet tonight.  Keep your ears to the ground and your eyes on the bassweight society.   We got an endless arsenal of tunes for you, local artist highlights, and much more.

One love to the Gods.

-Kinman